I posted the fourth and last part of the sunflower demonstration on YouTube. (Finally!!)
Here is a link:
I hope you enjoy it,
I often get questions that start with “This is a stupid question but…” or “This may sound stupid…”
Stupid questions are the essential ones; the questions people are worried about asking because they think everyone else knows the answer. But they don’t! And they really wish they did, so don’t be afraid to ask…
Our second question – asked by Bing Aling on my YouTube channel- is about erasing, an all important part of drawing:
Which is the best rubber to use?
A collective pile of erasers from my holidays in Ardèche
I have several rubbers for different purposes, but the one thing they have in common is that none of them are made of rubber. A rubber rubber can smudge a lot and make the paper irretrievably dirty. A plastic rubber on the other hand, erases smudges well and leaves the paper clean. However, if used too much or too hard, it can damage the paper. This is where the putty comes in. A putty rubber is much softer than a normal one, but doesn’t erase strong marks.
Here is my platoon of erasers:
- Plastic rubber (PVC and phthalates free): for larger areas and stronger marks. Be gentle with it to avoid damaging the paper
- Tombow Mono Zero: still a plastic rubber, and still PVC free, this allows for tiny marks, such as lifting highlights or even some veins
- Putty rubber: a lot softer than the others, this is good for large areas of soft marks, including brushing lightly on top of a painting to erase pencil lines, as demonstrated at the beginning of this video on my Flora’s Patch YouTube channel:
There are several types of putty rubbers, with different degrees of softness. I like the Maped grey, very soft and gentle. It does get messy on a hot summer day so keep the plastic wrapper to avoid melting squidgy mess under the fingernails.
Keep the questions coming; I will answer them, whether directly or with a blog post or video.
I have posted my first home-made video on my brand new YouTube channel, Flora’s Patch.
It’s the first of a four-part demonstration of a sunflower painting. The demonstration will also be published in Artists & Illustrators magazine in the summer, as a “masterclass”. (That’s what they call it, a bit more dramatic than “demonstration”…)
This first part is all about shadows:
Oh wow, I was just going to include a link but it actually plays the whole thing right here! Unfortunately I didn’t exactly do it on purpose… I’m still pretty pleased.
Enjoy the video, and don’t forget to subscribe if you want to be updated when I post part 2. It’s free, you just need to click “subscribe”.