The Artists & Illustrators Magazine May issue is out!
I have another article in there, and this time it’s not about botanical art: it’s called “The Ethical Artist” and it’s about looking at where our art materials come from and what they are made off.
I did quite a bit of research and got in touch with lots of manufacturers, who were all forthcoming with their info, so there will be more blog posts about the results. For example, I tested a dozen different synthetic brushes (not being a fan of sable fur farms…) and found some treasures I need to tell you about.
In the meanwhile, I hope you enjoy the A&I article… Here is the first page.
I have done a video tutorial of the Apricot Parrot Tulip that was published in Artists & Illustrators (April 2017 issue). Here is the link:
The April issue of A&I Magazine is out, with my Apricot Tulip Masterclass on a 4 page spread. I always find it exciting to see my paintings published…
There are 2 other botanical artists’ tutorials in the issue, by Fiona Swapp and Mariella Baldwin. So if you like botanical art, this is an issue worth investing in!
I’m off to West Dean College on Sunday, to run a 4 days residential course, painting spring flowers. Tulips, Hyacinths, daffodils, anemones, primroses, snowdrops and hellebores are on the programme…
Have a lovely week-end everyone,
Artists & Illustrators Magazine is 30 years old… Happy birthday!
To celebrate this anniversary edition, they are publishing 30 painting challenges in their October issue, which is out now.
I am so pleased to be part of the celebrations, having written 3 of these 30 challenges: painting a botanical quince (number 1), painting a field study of a Japanese Anemone (number 5) and painting an autumn leaf (number 26).
Challenge number 1
I remember writing my first piece for A&I magazine, in 2005. We were just minutes away from jumping into the car to catch a ferry to France for Christmas when Mr Flora’s Patch answered the phone. He said “It’s Artists & Illustrators Magazine for you…” It was completely out of the blue and I thought it was about my subscription, so I replied “We don’t have time, tell them I’ll phone them when we come back. “ But he wasn’t sure: “I don’t think it’s about a subscription…”
So I took the phone and was surprised to find out it was the editor himself. You would think that a big magazine like that would have someone to deal with subscriptions… But it wasn’t about that. Somebody had pulled out at the last minute and he wanted to know if I would be interested in writing a piece about botanical painting. The catch was that I had only one week before the deadline. So I ended up taking my paintbox to France with me and spent my Christmas holiday painting and writing between bites of Brussels sprouts and mouthfuls of chocolate bûche. A few days after sending in my article I received another phone call from the editor asking, “Did you enjoy doing this? Because I would like you to write more for us…” Since then I have written more than 50 articles and I have worked with 4 successive editors: the original contact was with John, then Lynne, then Steve and now Katie. Painting and writing are two big passions of mine so this is pretty much my idea of a perfect job.
I hope that you enjoy the 30th edition of this great magazine and good luck with the challenges!
I have an article in the Artists & Illustrators magazine summer edition.
The article is what they call a “masterclass” and the subject is a sunflower. Here is a preview of the first 2 pages: