New YouTube video – Masking fluid tests, abridged version (with surprise guest)

Hello everyone,

Another sunny day in the UK, filled with the smell of Rosa ‘Jasmina’ as she gently sways in the breeze, giving off waves of warm rose perfume. She really is a spectacular rose.

The baby sparrows have started their yearly invasion. They are so less reasonable than their parents. For a few weeks they will entertain us with their antics, flying like bricks across the garden and landing on totally inappropriate perches, not yet aware of what can or cannot support their fluffy weight. They land on slender stems and go right down to the ground, not light enough to stay up but not heavy enough to break anything. They take off again as if bouncing on a trampoline, disorientated but not scared enough to sit still for even a minute. It is unimaginable that these tiny throats only a few millimetres long can produce such a racket. The parents follow with beaks full of seeds and flappings full of disapproval.

I posted another masking fluid video on YouTube, a shorter version of the tests I filmed earlier. In this abridged version (only about 5 minutes), I focused on the results rather than the process, marking the 10 brands on a series of criteria such as fluidity, ease of application and removal, colour, damage to the paper, precision of the unmasked marks, etc. The video is not exactly what you’re expecting. It kind of turned into something else as I was filming. The masking fluid tests results are definitely in there but they’re not alone… I had a lot of fun filming this. The longer version was 36 minutes long and entirely serious. I couldn’t take any more seriousness. The baby sparrows must be rubbing off on me.

Here is a link:

https://youtu.be/mCjDyGC7TBQ

Happy watching!

Masking Fluid video on You Tube: the full version is up

Hi everyone,

I have an article on masking fluid coming up in the summer issue of Artists & Illustrators magazine. The article is about tips for using fluid in the best ways and I made a video to go with it. I tested 10 different brands of masking fluid live, warts and all, with surprises good and bad.

This is the full version (just over 1/2 hour) but I am also preparing an abridged version. I will let you know when it’s up.

Here is the link to the video:

Happy painting!

New YouTube video – Watercolour sketches in the garden, 2 blue flowers

I have a new video on my YouTube channel.

Last Bank Holiday week-end, while we were having a mini heatwave, I spent some time in the garden and mixed some colours for forget-me-nots and Violas. It was a sunny, warm and beautiful day. I sat under the birch tree in the dappled shade. It turns out I was also sitting under a pigeon, which I realised half way through the painting. It didn’t feel particularly safe after that discovery…

Here is a link to the video (including the pigeon):

Happy painting!

 

The final batch of Quinacridone Gold

This is it… we knew this moment would come but it still makes me sad. Quinacridone Gold, the real Quinacridone Gold PO49, is now completely gone…

Does it show that I would miss QuinaGold?

When the pigment manufacturer stopped production in 2001, they offered Daniel Smith (who were the first manufacturer to use Quinacridones in their paints) the opportunity to buy all their remaining stocks. Of course, Daniel Smith gleefully pounced on the barrels of powdered gold without asking too many questions. They inherited warehouses full of the valuable dust. By 2005, all the other paint manufacturers had to reformulate and find substitutes, while Daniel Smith proudly paraded their exclusive pure colour.

 

They had to run out eventually. Now it is their turn to reformulate and find an alternative with the same purity and glow, trying to convince frowning artists that the new formulation is just as good and probably better. Impossible task. As a single pigment, Quinacridone Gold had a level of clarity and saturation that is impossible to replicate by mixing several pigments.

 

Daniel Smith’s announcement of the end of the real Quinacridone Gold

 

Honestly, I think that they mishandled their highly advantageous position all these years ago. They could have kept the almost extinct, precious pigment exclusively for their Quinacridone Gold paint. Instead they used it in other mixes such as Sap Green, which frankly could be made of anything. What a waste of those last drops of elixir…

Physalis painted with Quinacridone Gold PO49

If you are lucky enough to have a local art shop selling DS paints, a sneaky rummage through their Quinacridone Gold tubes is worth your while. You might yet find some treasure.

 

And how about these rumours that a Chinese pigment manufacturer is producing PO49 again? I’ll keep an eye on that and hope for a resurrection… but so far I haven’t found any trustworthy source that this is a real thing.

 

Happy stockpiling!

 

 

 

 

A postcard from 1923

I have a new hobby: I am painting plants and insects on the back of vintage postcards, from the Victorian era up to pre world war II. Some are still blank but others were written and sent.

I love reading the faded words, inspecting the old stamps, imagining the people writing soft and loving words to long gone birthday girls. I place my designs in a way that the name of the recipient of the card is still visible, as well as the sender’s signature and their parting words. The body of the message is usually mundane but the last words often moving. This is where true affection shows itself: “Hope to see you soon now, just two more weeks, with best love”, “With fondest love, Mummie and Daddie xxxxxx”, “Lots of love, Auntie Lizzie and Auntie Pat”.

Were Auntie Lizzie and Auntie Pat two unmarried sisters living together, writing to their niece for her birthday? Why was “Dear little Ivy” far away from Mummie and Daddie on her birthday? We will never know… but they missed her.

I like the names as well: Ivy, Beatie, Ethel, Gladys, Florence, Norah, Ella…

When these cards were sent the image on the front was exposed in the collection or pinned on the wall. A hundred years later, the writing on the back is more precious and certainly more mysterious. The cards meant enough to the recipients that they kept them and they survived for a century. I am hoping that my paintings are giving the words another breath of life, and the inscribed side (with often beautiful handwriting) is now under the glass instead of against the wall. Sweet words telling stories and turning into art.

Sweet so far anyway. I have yet to find one full of insults and bad wishes. If I do, I will use it to paint a venomous spider…

These paintings will be exhibited during my Hampshire Artists Open Studio in a couple of weeks.

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Hampshire Artists Open Studios

Hello everyone!

It is the time of year to open studio doors and welcome people to see my work and have a chat!

My studio, house and garden will be open from Friday 25 to Monday 28, with a preview on the Thursday evening.

I will be painting most of the time so you can see me working but this year I am also running two workshops, Saturday and Sunday afternoon. These will be from 2 to 4pm, in the studio or in the garden depending on the weather, all materials provided, with a maximum of 4 participants so you will get lots of attention! (Even if you would rather not ;D) If you are interested in taking part, you can email me at sandrine.courses@gmail.com

I will have many paintings exhibited, from small work starting under £50 to large paintings, as well as cards and folios. A black wall and a white wall, flowers and fruit and bugs… I will also have some of my textile work on show.

Now back to painting the walls of the living room in preparation for the event… Ooohhh, new colour!

I hope to see you soon,

Sandrine

 

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The Ethical Artist – New article in Artists & Illustrators Magazine

The Artists & Illustrators Magazine May issue is out!

I have another article in there, and this time it’s not about botanical art: it’s called “The Ethical Artist” and it’s about looking at where our art materials come from and what they are made off.

I did quite a bit of research and got in touch with lots of manufacturers, who were all forthcoming with their info, so there will be more blog posts about the results. For example, I tested a dozen different synthetic brushes (not being a fan of sable fur farms…) and found some treasures I need to tell you about.

In the meanwhile, I hope you enjoy the A&I article… Here is the first page.

Happy reading!

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Bags and scarves collection

Hello everyone,

I have designed a collection of bags and scarves for a company in San Francisco, ready for the first day of Spring!

Here is a link if you want to have a look (just click on my name… It’s a fancy link, it doesn’t have all the www bits):

Sandrine maugy

New tutorial video on YoutTube: Apricot Parrot Tulip

Hello everyone,

I have done a video tutorial of the Apricot Parrot Tulip that was published in Artists & Illustrators (April 2017 issue). Here is the link:

Happy watching!

Article in Artists & Illustrators Magazine – Parrot Tulip Masterclass

Hello everyone,

The April issue of A&I Magazine is out, with my Apricot Tulip Masterclass on a 4 page spread. I always find it exciting to see my paintings published…

There are 2 other botanical artists’ tutorials in the issue, by Fiona Swapp and Mariella Baldwin. So if you like botanical art, this is an issue worth investing in!

I’m off to West Dean College on Sunday, to run a 4 days residential course, painting spring flowers. Tulips, Hyacinths, daffodils, anemones, primroses, snowdrops and hellebores are on the programme…

Have a lovely week-end everyone,

Happy painting!

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